HANDWRITING ANALYSIS THE COMPLETE BASIC BOOK PDF

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Handwriting Analysis The Complete Basic Book Pdf

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for Beginners “When I first saw your book [Handwriting Analysis for Sex, Love, refer to Handwriting University's Certification Level Course for a complete. Handwriting Analysis book. Read 9 reviews from the world's largest community for readers. Outlines a fresh approach to handwriting analysis designed to e. This book is written with a view to analyse personality traits rather than for document We can use graphology to determine a complete personality and character profile of . There are three known basic forms of enclosures, the loop, the circle, and the stem. If soeprolrendiele.cf soeprolrendiele.cf

Your eye can aid you, but the eye is better at determining the thinness or thickness of the stroke or the relative pastiosity and sharpness of the inking pattern-the other two aspects of pressure.

It is very difficult to assess the force of pressure from photocopies. Upstrokes are release strokes and are indicated by dotted lines. Downstrokes are contracting strokes and are indicated by solid lines.

The contraction and release action of the fingers continually modifies the force o f the pen against the paper. It is natural for the upstrokes and the rightward strokes release to be somewhat lighter than the downstrokes contraction. Contracting strokes carry more strength. This can be demonstrated by the jaw or the hand. When you clench your jaw or your fist, more strength is exerted than is possible by opening your jaw or extending your fingers.

This determines how the writer is able to project his available energy upon his environment. Pressure strong on directional change indicates that the energy level is consis- Pressure weak on directional change shows an inability to modify actions in time to meet environmerfal changes smoothly. Heavy Pressure. These types make an impression.

There is a great deal of energy available to them for their actions. They express in a heavy manner, are strongwilled, firm and easily excited to hot-blooded actions. Those with forceful pressure can inspire others. Negatively, they can be stern, stubborn and inclined to morose thoughts or depression. You definitely know when they are around.

Extremely Heavy. This person falls into k category of reversal of the usual meaning of heavy pressure. He cannot seem to release the forces within to meet the environment and overcome its resistance. This type is internally inhibited, and his power is blocked from expression. When extreme pressure is found in the vertical dimension up and down movement the writer adheres strongly to his principles. He is proud, even boastful, and self-reliant rather than trusting of others. He is tenacious, fearful of change, selfcentered and possibly even brutal.

Expect intense sexual preoccupation from this writer as over-compensation for feelings of sexual inadequacy and inhibition. Sometimes libertine behavior develops or the sexual energy is displaced and the writer is overly ambitious. He is critical, irritable and opinionated. The social self, the personality, will express erratically and often flamboyantly, sometimes striking out with vocal tirades or physical movements. Remember that it isn't natural to be heavy on these release strokes.

This is one sign of the schizoid personality and is also seen in the writing of highly-anxious Sudden bursts of pressure within a generally heavypattern are displayed in the writing of the paranoid personality.

The paranoid is unable to take responsibility for the hostility he feels inside, and instead sees it reflected back at him from others. Pressure exerted at the top of a letter instead of increasing with the downward motion can be taken as another sign of anxiety. Remember that the above specific characteristics of pressure must be seen in combination with very heavy pressure in order to interpret the misplaced pressure pattern as extreme.

Medium Pressure.

This is the norm between the extremes and is an indication of healthy vitality and willpower. These people possess a certain delicacy of feeling. The personality is sensitive and impressionable. There is often great creative ability, but the potential is seldom fulfilled as these writers seem unable to absorb their experiences. The willpower is not strong, so the light-pressure writer can easily succumb to the dominance of a heavier writer. They are far more tolerant and genial than their counterparts, and though they can lapse into superficiality, their lack of inhibition can be refreshing.

When the rest of the writing is harmonious, the finest peaks of spirituality and idealism are reached. It takes a certain amount of strength and willpower to check pressure.

This passive resistance is expressed gently, but is a firm indication of a refusal to be committed. Very light pressure frequently turns up in the writing of actors or actresses, who must be able to drop their own force of personality in order to play the role of another. This aspect o f pressure has more to do with the manner in which a person grasps the pen than it does with muscular energy. One pen can produce different results in the hands of different people.

The following three examples were supplied by three different individuals using the same pen-a wide-point felt tip.

Note the unique effect produced by each writer. One person can produce different widths with different pens. The following five examples were penned by one individual using various instruments.

It becomes obvious that the pen plays a role in the resultant thickness of the stroke.

Likewise, one who chooses a pen which draws a thin line has a preference for this thinner stroke. Four Widths of Stroke Standard.

How do you recognize the standard width? As you study the sample you note that the strokes maintain an equality with the background of the pagethey arent thick or thin. These types can be said to possess discipline, but without the creativity of either of the extremes.

Their energy is displayed conservatively through conventional means. These strokes are soft and dark and appear to dominate the background of the page. They are made by those who apply their energy to everything they do. These writers have a vitality about them and seek a wide range of application for their energies. They become so involved in whatever they are doing that future obligations can be momentarily forgotten.

They are sentimental in nature and express it warmly. These strokes appear dry and sparse on the background of the page. Those who write with thin strokes are attentive to detail and concept. They are intellectual in their approach to life. They apply their energy with precision and efficiency. Shaded Thick and Thin.

Writing on a page is marked by two dimensions, height and width. Pressure with shading produces the third dimension, depth. When generally heavy pressure is accompanied by shading of the stroke, it is the mark of creativity. These writers respond sensually to color, light and sound in the environment.

Artists of all kinds, as well as individuals who are creative in their work, are to be found within this group. The shading of the stroke can be seen in both vertical and horizontal movement.

In this example, the broad-point of the pen nib makes theshading easy to observe. In this case, the fine-line felt tip makes it more difficult to spot.

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Handwriting Analysis The Complete Basic Book.pdf

Sort order. May 10, Valerie Arnold rated it it was amazing. This is one of the best books on Handwriting Analysis that I have ever read, and I have read several other publications. I was quite surprised at the less than stellar reviews from others on this site.

In my case, graphology was an important part of my career, which gave me greater insight into many of the people I enco This is one of the best books on Handwriting Analysis that I have ever read, and I have read several other publications.

In my case, graphology was an important part of my career, which gave me greater insight into many of the people I encountered. I took multiple classes in graphology using this book as a text during my career and this is still my "go to" book for double checking what a specific letter or other handwriting component means. I don't remember every tiny nuance, but this book helps immensely. I have found the information that Karen Amend and Mary Ruiz shared to be quite accurate, even throughout the years.

It's as fresh today as it was back in the 80s when the book was first published. If you have a sincere interest in handwriting analysis, this is the book for you. If you are looking for fluff just to pass the time, this is not your book. This book will change the way you think about your own handwriting, as well as the handwriting of people you meet along your way.

Handwriting Analysis The Complete Basic Book.pdf

Finally, keep in mind that just having a basic knowledge, while helpful, is not all there is to know. Judgments about people should be reserved for those who have extensive education in graphology.

Continuing studies are necessary to build proficiency in handwriting analysis. This amazing beginner's book sets you on a course for success. I highly recommend it.

Handwriting Analysis: The Complete Basic Book

Apr 16, Jyotika Varmani rated it really liked it Recommends it for: It's a well-written and detailed book. The organization and style of presentation make for easy learning. I would have appreciated some exercises though. Nevertheless, excellent effort by the authors. Jul 11, Kevin LaBrie rated it it was amazing. Love the book and use it often.

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Jul 27, Agoes rated it did not like it Shelves: Saya baca terjemahan bahasa Indonesia buku ini dan merasa sangat kecewa dengan hasil terjemahannya. Jelek banget. Jueleeeeek oke ini rada berlebihan.

Sama seperti buku grafologi lain, buku ini nggak menjelaskan kelemahan-kelemahan grafologi dan batasan penggunaannya. Yah, namanya juga orang jualan lah ya. Di buku ini juga nggak dijelaskan bagaimana prosesnya bisa ditemukan diagnosis fragmental yang spesifik banget itu.Predominately Arcaded. With good form quality. Judgment and logic rule, yet more sympathy and compassion are expressed here than in the vertical slant.

Medium height. These writers somehow manage to be charming in social situations while remaining emotionally aloof. Some people have the ability to mask their mental and emotional instabilities with an external personality facade designed to give an impression of inner balance.

This slant is very rare. He is subject to the moods and thoughts of the moment. Sample below.